NEW BOOK – THE FLIGHT OF BIRDS – ALAN HOWARD (OUT NOW)

Friday, 10 June 2011

Mervyn Peake in Chichester - two exhibitions (to 17th July) and a conference (15-16 July)

For Peake fans in Sussex, a double-whammy in Chichester (you’ll pass Peake’s burial-place in Burpham on your left before Arundel if you travel by train from Victoria Station in London)

The Bishop Otter Gallery’s (University of Chichester, College Lane, Chichester, West Sussex PO19 6PE) new exhibition, Mervyn Peake: A Centenary Celebration, includes some of the most famous examples of Peake’s fantasy works, nonsense poetry and fiction. Among them are  The Hunting Of The Snark, a nonsense poem written by Lewis Carroll, and illustrations from Peake’s own nonsense work, Rhymes Without Reason, published in 1941. Drawings from another original work of fiction, Mr Pye – a fable about the battle between good and evil – are featured.
Rhymes Without Reason
Other examples of Peake’s fiction – his first published book, Captain Slaughterboard Drops Anchor and Gormenghast, Peake’s best-selling Gothic fantasy series – are shared with Pallant House Gallery’s concurrent show. Both the Otter Gallery exhibition and the Pallant House show run until 17 July.

The exhibition at the Otter Gallery coincides with an international conference on 15 and 16 July entitled Mervyn Peake and the Fantasy Tradition: A Centenary Conference, hosted by the Sussex Centre for Folklore, Fairytales and Fantasy at the University of Chichester. Professor Gray will also lead a free public tour of the exhibition at the Otter Gallery at 3pm on Thursday, 30 June.
Mervyn Peake: A Centenary Celebration was originated by the Maison d’Ailleurs, Museum of Science Fiction, Utopia and Extraordinary Journeys in Switzerland. It is the first time the pictures have been on display in the UK since the 2009 exhibition ‘Lignes de Fuite’ (‘Lines of Flight’) at the Maison d’Ailleurs.
The Otter Gallery exhibition is open from 9am-5pm, Monday to Friday. Free admission. 

AND: Pallant House Gallery, 9 North Pallant
Chichester, PO19 1TJ.
Mervyn Peake, Our Lady’s Tales, Household Tales by the Brothers Grimm © Mervyn Peake EstateMervyn Peake, Our Lady’s Tales, Household Tales by the Brothers Grimm© Mervyn Peake Estate
The creator of the Gormenghast series of Gothic fantasies, Mervyn Peake was an extremely versatile creative force. As a writer, his surreal fiction has been likened to the work of Tolkien; as an illustrator, he brought to life some of the most famous works of fiction for generations of children, including iconic editions of Treasure Island, Alice in Wonderland and Household Tales by the Brothers Grimm.
To mark the centenary of his birth, Pallant House Gallery presents a display of his most famous illustrations and prints. 

Entry details: £4 with National Art Pass (standard entry charge is £7.50)

Opening times
Tuesday to Saturday: 10am – 5pm
Thursday: 10am – 8pm
Sunday/Bank Holidays: 11am – 5pm
Mondays: Closed

Booklaunch at Waterstone’s Chichester/booksigning Saturday ditto.

Went to launch of Isabel Ashdown’s* new book, ‘Hurry up and wait’ last night.
Met the usual bunch of people I didn’t know – now know more than I meant to meet and met more than I mean to know (exit Bilbo, stage left, in confusion).

It was fun, though, seeing a how real book is launched (mine are to the crackle of champagne and the popping of crisps in my kitchen).

We exchanged books, Isabel and I, sealing a friendship forged through the fiery intermediation of the Great Beast of @family of beasts (see earlier post) in the echoing abyss of Twitter not two days ago. Sealed, I said, signed and delivered.

*(her first book ‘Glasshopper’ won Mail on Sunday novel prize – http://isabelashdown.com)

Thursday, 9 June 2011

Update on Ben Gilliland’s Arthur C Clarke nomination.

No news to relate but… (read the list of his recognitions by the worlds of science, aeronautics and astrophysics first, below)

(…and all this from my naughty boy who never qualified at anything at all – following the fine footsteps of father and grand-father… and there spirit of rebellion ends, for his great-great-grandfather was a civil engineer and dam-builder from Haweswater in the Lake District to Turkey and as far as South Africa where my father set fire to veldt when six, just as my younger brother brother did to a neighbouring rubber plantation in Malaya at around the same age. His great-great-great-grandfather was professor of mathematics at Calcutta University and Assistant Meteorologist of All India but his spirit of rebellion manifest in eloping with the younger daughter of his elder brother’s wife from Ireland. Prior to that assorted Gillilands mixed with the locals for several generations post the arrival on Ulster’s shores of the great rebel, Willy Gilliland, Scottish Covenanter rebel who crossed after the Battle Bothwell Brig*,  subject of that famous lay by Sir Samuel Fergusson, Northern Ireland’s premier Victorian poet, ‘The Ballad of Willy Gilliland’ as recited, even today, on the coaches laden with American tourists seeking their Irish roots as they traverse the great mountains of Antrim or descend to the gaunt castle of Carrickfergus.

*Coincidentally the family home of my mother’s grandfather.

WILLY GILLILAND.

AN ULSTER BALLAD.

Up in the mountain solitudes, and in a rebel ring,
He has worshipp'd God upon the hill, in spite of church and king;
And seal'd his treason with his blood on Bothwell bridge he hath;
So he must fly his father's land, or he must die the death;
For comely Claverhouse has come along with grim Dalzell,
And his smoking rooftree testifies they've done their errand well.
In vain to fly his enemies he fled his native land;
Hot persecution waited him upon the Carrick strand;
His name was on the Carrick cross, a price was on his head,
A fortune to the man that brings him in alive or dead!
And so on moor and mountain, from the Lagan to the Bann,
From house to house, and hill to hill, he lurk'd an out-law'd man.
At last, when in false company he might no longer bide,
He stay'd his houseless wanderings upon the Collon side,
There in a cave all underground he lair'd his heathy den,
Ah, many a gentleman was fain to earth like hill fox then!
With hound and fishing-rod he lived on hill and stream by day;
At night, betwixt his fleet greyhound and his bonny mare he lay.
It was a summer evening, and, mellowing and still,
Glen whirry to the setting sun lay bare from hill to hill;
For all that valley pastoral held neither house nor tree,
But spread abroad and open all, a full fair sight to see,
From Slemish foot to Collon top lay one unbroken green,
Save where in many a silver coil the river glanced between.
And on the river's grassy bank, even from the morning grey,
He at the angler's pleasant sport had spent the summer day;
Ah! many a time and oft I've spent the summer day from dawn,
And wonder'd, when the sunset came, where time and care had gone,
Along the reaches curling fresh, the wimpling pools and streams,
Where he that day his cares forgot in those delightful dreams.
His blithe work done, upon a bank the outlaw rested now,
And laid the basket from his back, the bonnet from his brow;
And there, his hand upon the Book, his knee upon the sod,
He fill'd the lonely valley with the gladsome word of God;
And for a persecuted kirk, and for her martyrs dear,
And against a godless church and king he spoke up loud and clear.
And now upon his homeward way, he cross'd the Collon high,
And over bush and bank and brae he sent abroad his eye;
But all was darkening peacefully in grey and purple haze,
The thrush was silent in the banks, the lark upon the braes—
When suddenly shot up a blaze, from the cave's mouth it came;
And troopers' steeds and troopers' caps are glancing in the same!
He couch'd among the heather, and he saw them, as he lay,
With three long yells at parting, ride lightly east away:
Then down with heavy heart he came, to sorry cheer came he,
For ashes black were crackling where the green whins used to be,
And stretch'd among the prickly comb, his heart's blood smoking round,
From slender nose to breast-bone cleft, lay dead his good greyhound!
“They've slain my dog, the Philistines! they've ta'en my bonny mare!”
He plunged into the smoking hole; no bonny beast was there—
He groped beneath his burning bed (it burn'd him to the bone,)
Where his good weapon used to be, but broadsword there was none;
He reel'd out of the stifling den, and sat down on a stone,
And in the shadows of the night 'twas thus he made his moan—
“I am a houseless outcast: I have neither bed nor board,
Nor living thing to look upon, nor comfort save the Lord:
Yet many a time were better men in worse extremity;
Who succour'd them in their distress, He now will succour me,—
He now will succour me, I know; and, by His holy Name,
I'll make the doers of this deed right dearly rue the same!
“My bonny mare! I've ridden you when Claver'se rode behind,
And from the thumbscrew and the boot you bore me like the wind;
And, while I have the life you saved, on your sleek flank I swear,
Episcopalian rowel shall never ruffle hair!
Though sword to wield they've left me none—yet Wallace wight, I wis,
Good battle did on Irvine side wi' waur weapon than this.”—
His fishing-rod with both his hands he griped it as he spoke,
And, where the butt and top were spliced, in pieces twain he broke;
The limber top he cast away, with all its gear abroad,
But, grasping the thick hickory butt, with spike of iron shod,
He ground the sharp spear to a point; then pull'd his bonnet down,
And, meditating black revenge, set forth for Carrick town.
The sun shines bright on Carrick wall and Carrick Castle grey,
And up thine aisle, St. Nicholas, has ta'en his morning way,
And to the North-Gate sentinel displayeth far and near
Sea, hill, and tower, and all thereon, in dewy freshness clear,
Save where, behind a ruin'd wall, himself alone to view,
Is peering from the ivy green a bonnet of the blue.
The sun shines red on Carrick wall and Carrick Castle old,
And all the western buttresses have changed their grey for gold;
And from thy shrine, Saint Nicholas, the pilgrim of the sky
Has gone in rich farewell, as fits such royal votary;
But, as his last red glance he takes down past black Slieve-a-true,
He leaveth where he found it first, the bonnet of the blue.
Again he makes the turrets grey stand out before the hill;
Constant as their foundation rock, there is the bonnet still!
And now the gates are open'd, and forth in gallant show
Prick jeering grooms and burghers blythe, and troopers in a row;
But one has little care for jest, so hard bested is he,
To ride the outlaw's bonny mare, for this at last is she!
Down comes her master with a roar, her rider with a groan,
The iron and the hickory are through and through him gone!
He lies a corpse; and where he sat, the outlaw sits again,
And once more to his bonny mare he gives the spur and rein;
Then some with sword, and some with gun, they ride and run amain!
But sword and gun, and whip and spur, that day they plied in vain!
Ah! little thought Willy Gilliland, when he on Skerry side
Drew bridle first, and wiped his brow after that weary ride,
That where he lay like hunted brute, a cavern'd outlaw lone,
Broad lands and yeoman tenantry should yet be there his own:
Yet so it was; and still from him descendants not a few
Draw birth and lands, and, let me trust, draw love of Freedom too.

Wednesday, 8 June 2011

How to miss making Hay.

  A week of signings at half-term booked guarantees no Hay Festivities for me – so annoying that they host it at half-term.
I think next year I’ll try to book shops in the Hay region then at least I can shoot back for the evenings.
Still, 207 books sold not bad for this amateur author/illustrator/designer/publisher/marketer (106 Curd the Lion at @14.99 and 101 Flight of Birds at £9.99) in the Cambridge/East Anglia region (Bedford, Bishop’s Stortford, Bury St. Edmunds, Cambridge and St Albans – thanks to all Waterstone’s branches who hosted me).
   Back to the shed under the apple tree to illustrate cutaways and birds’-eye-views of battles for Osprey, maps charts and diagrams for Penguin imprints and suchlike for Windmill, Aurum, etc.. What fun!
   Off to launch of Isabel Ashdown’s* new book, ‘Hurry up and Wait’, tomorrow eve at Waterstone’s, Chichester, and then, oddly, back there on Saturday to sign books all day.

   Grand-daughter, Tilly, three, trots in: “Dandad, I want you to find me Dawberries!” Drags me out to crawl around under the bushy borders to search underleaf for the tiny bright wild strawberries with their intense scented flavours (we have two types) to pile into her plastic pot before taking them back to the patio where my wife, Pauline, and Emily, my daughter are busy sanding, painting and distressing furniture for their little ‘Vintage Pixie’ enterprise. [This Pixie is growing so fast there is barely room for us downstairs anymore as dowdy items come and go, refreshed with a lick-o’-paint and rub-down to find a new home.]
   “I’m going to dare,” she declares, “with you and Nanny and Mummy,” and proceeds to pick out the little gems in order of size from the biggest – one for me, one you… “You know, Dandad, I’m going to ballet dool next week and dance and dance, like this”…until the bowl is empty.
  Treat over, I return to my travails, listening to the wind in the branches, the patter of squirrels and birds across my roof, watching out of the corner of my eye the sunlight flickering green and purple as the wind flicks leaf and flower into bright contrast with the undergrowth and discover, to my surprise, that I am writing this and not working!


* On which matter, after I discovered her artist-sister, Rebecca Ashdown (), first introduced her to ‘Curd the Lion’ and we found each other there, she said:
Aha - it's you! Thanks - I came upon ur book in Diss. Planning to read it to the small beasts soon. I LOVE it!”

I then tweeted to her:
How nice, from our books, to find friends and engage,
Like mice, in the nooks of this wireless cage…”

to which she replied:
And how here, with no fevvers, we flutter and glide. 
We can whistle and call without going outside!”

Aaah!